
HOMESPUNThe bouzouki is played with a flatpick and can cover both lead and rhythm roles. It’s not unlike a large mandolin, with its four courses of double strings. Zan starts at the beginning, teaching tunings as well as basic scales and chords. He also covers right hand pick technique and rhythmic innovations such as cross picking, strumming patterns, accents and syncopations.
With the help of button accordion virtuoso Billy McComisky, Zan explores the bouzouki through the study of traditional reels, jigs and slip jigs. You’ll learn to play in several keys using ringing drone strings, moving lines, chord substitutions, harmonized scales and counter melodies, all designed to enhance your accompaniments. The tunes you’ll be working on include "Lady Anne Montgomery," "The Galway Rambler," "Kesh Jig," "Barney Bralligan’s" and "The Butterfly."
Zan makes it easy to learn by playing each tune slowly, showing the various elements that can be used to make your tune come alive. At the same time, you’ll learn aspects of music theory and musicianship that will enhance any style of music or instrument you wish to play.
TUNING THE BOUZOUKI
“The octave mandolin, cittern, mandocello and bouzouki are basically the same.
The tunings are the main variation. I use GDAD on the video. The mandolin also
sounds nice with that tuning, especially when you play open chords. I also use
the "standard" straight fifths tuning GDAE, but the GDAD sounds more
Irish.” -- Zan McLeod
Zan McLeod is widely known for his guitar and bouzouki playing. He combines great musical skills and technical knowledge with a rare sensitivity and delicacy, which enhances every musical situation he participates in. Originally from North Carolina of Scots-Irish descent, he was the co-founder of the group Touchstone, which recorded two award-winning albums in the l980s. Zan's solo project Highland Soul won the Washington Area Music Association award for Album of the Year in l993, in the same year Zan captured the Best Instrumentalist award. While in Ireland he recorded The Ring Sessions with fiddler James Kelly, which received critical acclaim on both sides of the Atlantic. Over the years, Zan has played and recorded with many of the luminaries in the Celtic music revival. He now lives in the Washington, DC area where he performs as a freelance musician and recording artist. Zan is now producing and engineering from his own project studio, Tonehouse, where he is working on his next solo release.